Call for submissions |Chroma

Chroma

Bob Carnie

Description

The Connections Gallery is seeking submissions for a large colour print photo exhibition.

Photographers will each have one 30″x37″ OR 30″x30″ mounted print in this six week exhibition. Celebrating colour, Chroma will present the work of ten artists.

This exhibition is being printed in its entirety by Bob Carnie, each photographer will receive their mounted print once the show comes down. Bob will work together with the photographers to choose their best image. Promoting the printer/photographer dynamic, printing will be a collaborative effort.

Images exhibited will make a study of colour.

 

Dates

Feb 18- March 31 2019

Reception: February 21 6-9pm

 

Deadline to apply: October 1

 

Logistics

Each artist has 1- 30″x37″ OR 30″x30″ ink jet print in this exhibition.

Exhibition fee + Production: $700 plus tax


 

Submissions

Send up to 5-10 JPEGS

Bio

Statement

If you would like to submit your own prints, please contact us


Contact

Carissa Ainslie carissa@alternativephotoservices.com

1840 Danforth Ave | 416.778.6969

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Vancouver and Capture!

Carissa just returned from Vancouver where she was stationed for ten days. We rented a pop up space for two weeks in Chinatown, installing Series, Clearcut and Ipseity.

Series

From Front 2

SERIES brings together five photographers with five different stories to tell. Salina Kassam, Thomas Brasch, Larry D. Hayden and Skip Dean have explored their own environments through the photographic medium.


Clearcut

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The intersection of man and nature is a dominant theme in Matthew Plexman’s work. Clearcut captures the evolution of an old logging road in northeastern Ontario: old sections are blocked off and new routes added, leading to new areas of logging activity. The borders between clearcut and forest are abrupt at first—open areas of chewed-up earth and toppled trees abut untouched woodland. Over time, the process of healing begins and the borders blur. Plexman attempts to find beauty and symmetry in the tension between destruction and regeneration, inviting dialogue about the conflict inherent in our dependence on nature for both resource extraction and emotional sustenance.


 

Meeting New People

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Carissa had the pleasure of meeting some really interesting folks on her travels. Sally Buck and Kent Lins popped up their photos in cube vans every weekend during the Capture Photo Fest.

She also got a fantastic tour of the new Emily Carr University campus by photo studio tech Geoffrey, and met up with Kathy from Beau Photo.

With a bit of down time, she also got to take in some of the sights of Vancouver and Whistler.

 

 

In En Transition Spotlight: Jean-Francois Leblanc

In/En Transition

March 2-31 2018  | Opening Reception March 2 | Artist talk March 3

In/En Transition presents an exchange of photography by exhibiting six Quebec artists in Toronto, and six Ontario artists in Montreal, reinforcing a sense of community between the two provinces.

Artists- Toronto- Connections Gallery
André DenisNathalie GarceauJudith BellavanceCaroline Hayeur, Jean-Francois Leblanc, Guy Lafontaine

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How has your process changed over your career as a photographer?

I believe a good image should not only contain information that invites reflection, but also be aesthetically pleasing and trigger emotion. It must be self-explanatory, and not require words. In my practice, photography is a means of recording a scene directly, without artifice. The image is constructed when it is shot, and not subjected to major modifications afterwards. This concept of photography respects the ethics of photojournalism and the documentary process. Subjectivity and creativity are expressed in the choices made and in the very act of photographing and not in subsequent image alteration.

Bio

Jean-François Leblanc has dedicated himself to photography since 1982, when he got his
Bachelor’s degree in Communications at l’Université du Québec à Montréal. He started his career as a photographer while working for many neighborhood community newspapers in Montreal. In 1984, he became the official photographer of Montreal’s International Jazz Festival. In 1987, while working full-time for Le Matin, a new Montreal daily, he decided to create Agence Stock Photo, a collective of photographers committed to photojournalism.
His artistic approach has always been coherent during his career as a photographer. The
recipient of grants from the Canada Council for the Arts and the Conseil des Arts et Lettres du Québec, he has presented, since 1984, many exhibitions on his personal projects at, among others, the Montreal Maisons de la Culture network, and also during the Mois de la Photo period in Montreal. Abroad, his work was presented in Mexico during the Mes de la Foto in Merida, in over forty Europeans cities through the FNAC galleries network and during the Rencontres Internationales de la Photo d’Arles in France. His work can be found in the collections of the Quebec National Museum of Fine Art, the network Accès-culture of the City of Montreal ( PADORAC), the Cirque du Soleil and Post Canada.

In En Transition Spotlight: Judith Bellavance

In/En Transition

March 1-31 2018  | Opening Reception March 2 | Artist talk March 3

In/En Transition presents an exchange of photography by exhibiting six Quebec artists in Toronto, and six Ontario artists in Montreal, reinforcing a sense of community between the two provinces.

Artists- Toronto- Connections Gallery
André DenisNathalie Garceau, Judith Bellavance, Caroline HayeurJean-Francois LeblancGuy Lafontaine

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How has your process changed over your career as a photographer?
Coming from the painting world, I’ve always been interested in details that only show
themselves under the scrutiny of the observer. This fascination has progressively led me
to using photography to satisfy my curiosity for details, my pleasure in collecting and my
desire to tell. I found and adopted in photography the stance of the witness, which has
significantly expanded the scope my act of creation.
With photopgraphy, my work has developed under two main parts: showing and telling.
By the act of collecting, I can give my attention to small events of which I take
photographs, I then group, classify and file them, thus building a daily repository of
otherness. The act of collecting allows in second time a work on narration. I draw from
my collections and I combine freely and intuitively photographic objects that have a
potential to tell a tale, to which I give the format of small documentaries on the sensitive.

Bio

Born in Rimouski, I have live and work in Montreal.
Throughout my practice, I use the traces of the passage of time on objects and bodies to
address the themes of otherness, loss, absence and desire. By my attention to detail and
my work on the fragment, my approach to photography retains the indexical and
document qualities of the medium.
I completed a degree in Visual Arts at Laval University in Quebec City and studied at the
University of Quebec in Montreal. My work was supported by the Conseil des arts et des
lettres du Québec and the Canada Arts Council. My work has been presented in Quebec,
Portugal, Spain and Japan and is found in many public and private collections.

In En Transition Spotlight: André Denis

 

In/En Transition

March 1-31 2018  | Opening Reception March 2 | Artist talk March 3

In/En Transition presents an exchange of photography by exhibiting six Quebec artists in Toronto, and six Ontario artists in Montreal, reinforcing a sense of community between the two provinces.

Artists- Toronto- Connections Gallery
André Denis, Nathalie GarceauJudith BellavanceCaroline HayeurJean-Francois Leblanc, Guy Lafontaine

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How has your process changed over your career as a photographer?

The Turcot and Bonaventure projects lasted many many years. There was practically no end to the exploration and discovery. Actually, they had to demolish them to make me stop! But now I have started involving myself in very short term projects. One outing, followed by a selection of a dozen or so images, and printed in the form of a small book. Voilà! End of project. More focused in the image capture process, but also more freely associative in the final selection.

Bio

At the end of the seventies, André Denis was working as a freelance street photographer. His path led him to co-found Dazibao, a photography gallery and workshop venue. He was a part of its first shows: La Parole Sauvage and Un grand cru in Québec, and Explosition 80 in France. In 1982, his photography career was put on hiatus as he reoriented himself towards a different field.

In 2002, André revived his old passion and pursued his exploration of the city using his camera as his eyes. He made a long-term project of capturing the boroughs of the South-West of Montreal, with a special focus on the Turcot interchange and the Griffintown segment of the Bonaventure highway. A show featuring his studies of the Turcot interchange was put on at the Marie-Uguay cultural center in January of 2010, and then again at the Plateau Mont-Royal cultural center. His current goal is to showcase his work on the Bonaventure highway.

Kindred in Montreal!

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Connections Gallery

November 3 opening reception from 6-9pm
Exhibition is on until November 29

Kindred popped up in Montreal October 20 and 21st at The Ecomusée Du Fier Monde. After driving the show up from Toronto, we had a quick install before inviting eager attendees in to see the exhibition. And what a night! A full house right until the end. Saturday the show was open for general viewing, the natural light that streamed in making the space even more beautiful.

Overall, the show was a success! Seeing all of the images of the subjects who are very personal to each photographer was very moving.

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Kindred | David L Hunsberger

Montreal
The Ecomusée Du Fier Monde
October 20 opening reception from 6-9pm
October 21 Open viewing from 11am-5:30pm
Toronto
Connections Gallery

November 3 opening reception from 6-9pm
Exhibition is on until November 29

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Kindred is a portrait exhibition printed entirely using permanent processes. Each photographer has submitted an image of someone within their community that they admire along with a description of their relationship to their subject. The result is an exhibition of people from all walks of life who are being celebrated through the photographic medium.
Kindred will first be popping up for two days in Montreal where we have one branch of our network within the photographic community. This exhibition is comprised of a large number of Quebec artists, allowing for a true exchange when the show is installed in Toronto this November.

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