Call for Submissions: Noir/Chroma

Jan 3 – Feb 28 2019
Opening reception January 17 2019

The Connections Gallery is seeking submissions for a two month exhibition in early 2019.

This exhibition, Noir/Chroma, showcases exquisite black and white images and images exploring colour. No specific theme.

Photographers will each have one 30″x37″ mounted print.

This exhibition is being printed in its entirety by Bob Carnie, each photographer will receive their mounted print once the show comes down. There are two choices for production methods of images. The hybrid historical-contemporary Lambda will be used to produce the black and white silver gelatin prints, or artists can have their work printed via inkjet for black/white and colour. Bob will work together with the photographers to choose their best image and printing method. Promoting the printer/photographer dynamic, printing will be a collaborative effort.

Logistics

Each artist will have either:

1- 28×28” approx. Lambda print mounted on 30″x37″ art board

OR

1- 30″x37″ inkjet print mounted on the same size board

Exhibition fee + Production: $700 plus tax


Submissions

Send up to 5-10 JPEGS

Bio

Statement


Contact

Carissa Ainslie carissa@alternativephotoservices.com

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Portfolio Workshop December 2018

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What: Portfolio Workshop

Where: Alternative Photo Services at 1840 Danforth Ave, Toronto

When: December 27-December 30 2018

Spots: Minimum 4 maximum 6

Cost: $1,000 plus tax + materials (material list provided upon request)

This workshop is for anyone who is looking to build a portfolio of alternative prints. Students will be printing their own work under the guidance of printer Bob Carnie using gum bichromate and/or platinum palladium.

Print sizes range from 8×10 all the way up to 20×28.

Once the prints are finished, they will be custom matted using cotton rag 4 ply board.

To sign up or ask a question, email Bob or Carissa

bob@alternativephotoservices.com

carissa@alternativephotoservices.com

In En Transition Spotlight: Judith Bellavance

In/En Transition

March 1-31 2018  | Opening Reception March 2 | Artist talk March 3

In/En Transition presents an exchange of photography by exhibiting six Quebec artists in Toronto, and six Ontario artists in Montreal, reinforcing a sense of community between the two provinces.

Artists- Toronto- Connections Gallery
André DenisNathalie Garceau, Judith Bellavance, Caroline HayeurJean-Francois LeblancGuy Lafontaine

07

How has your process changed over your career as a photographer?
Coming from the painting world, I’ve always been interested in details that only show
themselves under the scrutiny of the observer. This fascination has progressively led me
to using photography to satisfy my curiosity for details, my pleasure in collecting and my
desire to tell. I found and adopted in photography the stance of the witness, which has
significantly expanded the scope my act of creation.
With photopgraphy, my work has developed under two main parts: showing and telling.
By the act of collecting, I can give my attention to small events of which I take
photographs, I then group, classify and file them, thus building a daily repository of
otherness. The act of collecting allows in second time a work on narration. I draw from
my collections and I combine freely and intuitively photographic objects that have a
potential to tell a tale, to which I give the format of small documentaries on the sensitive.

Bio

Born in Rimouski, I have live and work in Montreal.
Throughout my practice, I use the traces of the passage of time on objects and bodies to
address the themes of otherness, loss, absence and desire. By my attention to detail and
my work on the fragment, my approach to photography retains the indexical and
document qualities of the medium.
I completed a degree in Visual Arts at Laval University in Quebec City and studied at the
University of Quebec in Montreal. My work was supported by the Conseil des arts et des
lettres du Québec and the Canada Arts Council. My work has been presented in Quebec,
Portugal, Spain and Japan and is found in many public and private collections.

2017 in Review

2017 saw us renaming the main gallery, changing from the Dylan Ellis Gallery to the Connections Gallery. This name change reflects our mandate to “connect” artists, curators and gallerists.

Thank you to all of the photographers who showed such an amazing variety of images.

 

Human memory / The soul of the earth

January 12 to January 31

Sylvie Pinsonneault, Karl Desmarais


Toronto Offsite Design Festival

January 16-January 22

SUMO Projects and artist Michele Guevara


Visual Calculus in Photography

March 3-31

Alain Laforest, Catherine Aboumrad, Daniel Miller, Guy Glorieux, Guy Lafontaine

Jean Lauzon, Marie-Reine Mattera and Emmanuel Joly, Robert Slatkoff


A Foundation of Ash

April 17-May 13

Will Gill


Alternative Photo Revolution

Glen Echo, Maryland March 28, New Orleans March 31/April 1 Toronto, Contact Photography Festival May 15-June 17

Alexis Jackson, Kin Lon Ma, Scott Davis, David Armentor, Marc Betsworth, Tamiko Winters, Paul Taborovsky, Kevin Kelly, Alan Dunlop, Lisa Murzin, Ron Erwin,  John Migicovsky, Evan Dion, Salina Kassam, Philip Jessup, Marlene Hilton Moore, Juli Lyons, Skip Dean, Thomas Brasch, Matthew Plexman, Laura Paterson, Bob Carnie, Monica Glitz, Jeff Suchak, Hugues Rochette, Jean Lauzon, Madeleine Marcil, Claude Dagenais, Guy Lafontaine, Mirabelle Ricard, Guy Glorieux, Brittany Fleming, Jennifer Crane, Brendan Meadows, Andrej Gregov, Larry Hayden, Bryan Helm, Ginette Clément, Stephen McNeill , David Christensen


Linked

July 8-August 31

Laura Paterson, Wayne Salmon, Al Paterson, Anthony Macri, Kamelia Pezeshki, Aurélien Muller, Carissa Ainslie, Beth Jessup, Paulette Michayluk, Bob Carnie


Urban

October 1-30

Stephanie Kretzschmer, Guy Lafontaine, Robert McIntyre, Joachim Oepkes, David Edwards and Alan Dunlop


Kindred

Montreal October 20 & 21, Toronto November 1-29

Linda Kooluris Dobbs, Salina Kassam

John Migicovsky, Juli Lyons, Lisa Murzin, Thomas Brasch, Bob Carnie, Shelagh Howard, Marlene Hilton Moore, Philip Jessup, David L Hunsberger, ​Anthony DeLorenzo, Normand Blouin, Suzanne Vo-Ho, Jean-Sébastien Vaillancourt, Nathalie Garceau, Daniel Miller, Alexia Righetti, Pierre Dalpé, Guy Glorieux, Céline Lalonde, Martine Michaud, Janick Houle, Francois Spenard​


Emergence

December 1-January 8

Lindsi Hollend, Anna Borcherdt, Adrian Oosterman, Cat Stambolic, Andrew Persaud, Marlene Hilton Moore, Raquel Moliterno

Kindred in Montreal!

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Connections Gallery

November 3 opening reception from 6-9pm
Exhibition is on until November 29

Kindred popped up in Montreal October 20 and 21st at The Ecomusée Du Fier Monde. After driving the show up from Toronto, we had a quick install before inviting eager attendees in to see the exhibition. And what a night! A full house right until the end. Saturday the show was open for general viewing, the natural light that streamed in making the space even more beautiful.

Overall, the show was a success! Seeing all of the images of the subjects who are very personal to each photographer was very moving.

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Continue reading

Advanced Alt Workshop

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Bob Carnie/ Gum Bichromate

December 27-30 2017

1840 Danforth Avenue, Toronto

This workshop is aimed at those people who have a desire to learn in a welcoming atmosphere how to make wonderful permanent prints and have:

-Taken a workshop with us before

-Can show that they exhibit the right knowledge base to not slow down the other printers.

The goal of this workshop will be to make a series of 15×20 prints on paper that are multiple layered images, Gum over Palladium, Duotone Gum, or Tri Tone Gum Bichromate. Your choice of process and look rather than teacher directed.

We will stay with this image size to maximize workflow for the course of four days. This size is a traditional aspect ratio for portfolio prints.

The hours of this workshop are from 8 am – 5 :30pm each day with group dinners considered after each long day.

Continue reading

Call for Submissions: PIGMENT

 

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Lori Ryerson

Pigment is a group photography exhibition that explores the concept of colour through the historical gum bichromate process. Each of the twenty photographers will have two prints in the show, printed by Bob Carnie.

New York April 6 and 7 Bushwick Community Darkroom

Pigment will pop up at the Bushwick Community Darkroom April 6 and 7 2018. These dates were chosen so that participating artists who wish to visit the city during the exhibition can attend The Photography Show presented by AIPAD. 

Toronto | May 2-June 29 Lonsdale Gallery

The prints will return to Toronto where they will become a part of Red Light, an exhibition at Lonsdale Gallery. This juried salon show will exclusively feature alternative prints by artists from around the world. Red Light is a feature show in the CONTACT Photo Festival.

Application process

Each print will be approximately 11×14, fitting into a 16×20 presentation matt. For installation purposes, while in New York, they will be displayed matted. For the Lonsdale Gallery show, they will be framed in our rental frames.

Please contact Bob to set up a time to explain the gum bichromate process and how your images would look printed using this process.

bob@alternativephotoservices.com
Costs

Exhibition fee (shipping, space rental, marketing, reception in NYC and rental frames for Toronto) $375 plus tax                                                                                                     

Production: $460 plus tax for two gum bichromate prints and 16×20 presentation matts

Total $835 plus tax

 

What is Connections?

We believe that expanding a photographer’s reach is beneficial to professional growth. Getting outside of one’s community and having fresh eyes looking at new work and getting feedback. Our main goal is to create a network of photographers and galleries that can work together to showcase photography.

Our first connection was with L’Espace Contemporain in Montreal where we have sent photographers to exhibit work, and have brought photographers here to Toronto.

2017 projects include the Alternative Photo Revolution that went to Glen Echo, Maryland and New Orleans, and was a part of the CONTACT Photo Festival. In the fall we took Kindred, a portrait exhibition, to Montreal then installed here at the Connections Gallery in November.

Why Alt Printing

 We know that through exhaustive research on print permanence that the noble metals of platinum palladium will not fade, in fact the paper will decompose before the metal will go away. Platinum palladium and gum over palladium have the look, texture and feeling of work done in the very beginning of photographic printmaking. Contemporary prints cannot give us the colour palette and physical sense that these two processes offer. In all cases the base paper is Hahnemühle Platinum, a very lovely 100% rag paper. The noble metal of platinum palladium sinks into the very fabric of this paper and any resulting pigment is layered on top for an exquisite image.