Artist Spotlight: Lorraine Parow

Through a Lens: Our Female Gaze

February 1-February 28

Opening Reception February 8 | Artist Talks February 10

Through a Lens: Our Female Gaze presents six artists who are telling their stories through the photographic lens. Lisa Murzin, Shelagh Howard, Marlene Hilton Moore, Lorraine Parow, Janet Holmes and Lauren Young share a variety of work for this exhibition hailing from different backgrounds, generations and experiences.

 

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Statement

“Letting The Girls Fly’ provokes an intimate invitation to explore the individual discoveries in each tiny documentary framed photograph. These tiny images are of posters, hand written by women and placed throughout the woods. They contain simple truths. They are small reminders to be delighted by, and heal through. They are intended to invoke memory, to empower and inspire inclusion. They are positive ‘flash cards’.

How has your photographic process been informed by your experiences

Two stages of major developmental influences inform my photo-based imagery, before college and since college (grad of 1980) Before college (1977) In my life I communed with nature from the beginning, partially because it was so fascinating, ever evolving and utterly captivating and magical. Creation fascinated me. Nature and natural light with it’s endless variations moved me.

As it would be discovered in my mid thirties. Throughout my life I’d suffered from an impairment of my vision, leaving me compensating and working hard to overcome everyday life in a very strained manner. I know now when I reflect upon those decades of difficulty I recognize in hind sight that in fact I knew to find a quiet refuge in nature from the beginning. I developed a profound work ethic to keep up with my eye impairment disadvantage. It would turn out that I learned exceptional discipline on the track team where by our school happen to have an Olympic track coach who would impart his wisdom in such a manner that to this day I continue with much of his methods to make a commitment to gain ‘my personal best’.

In my senior year in high school I was confronted with the decision to further my education with either track or photography. This would require and either/or decision as each advanced education institution would be in different ends of the province. I focused on photography. My education changed my life, it consists of a 3 year photographic arts program, a 3 year advanced digital photography program, a 2 year painting, sculpture, drawing, 3D design program. I admired the real image achieved in the analogue optical format that a camera provided. It gave me the real thing when my eyes could not exactly do so. I set out to create a career in the photographic community since 1980.

This stage two has transformed my sensitivity to colour as a custom cibachrome printer for decades, to light as a location photographer, to the arts an assistant photographic gallery curator and production manager, and to production as a shooter for fantastic clients and magazines and stock agencies. Plus I continued through out these decades fine tuning many bodies of photo-based art work. I was also printing, framing and showing annually in a variety of remarkably diverse and accessible venues.

I continue to have a passion to seek out, to find beauty in the everyday, to create a positive impact, to discover ways to share images and ultimately to stop the moment in someone’s everyday life to create a single pause, a resting moment. I want to interrupt a person’s routine to share a simple moment with an image I’d discovered. It is with the recovery of my eye impairment since the mid 90’s that I enthusiastically embrace the everyday with a renewed sense of this freedom. I just want to shoot, share and celebrate the possibility in the everyday.

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Call For Submissions: Emergence

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Emergence

December 1-January 8 2018 | Opening December 7 2017 6-9pm

The Connections Gallery is seeking submissions for our annual Emergence photography group show in December 2017. This nine person group show showcases artists who are new to the gallery or have new work.

Four artists will be chosen by a jury to exhibit their work in Montreal in Spring 2018.

This show will also be advertised in the Winter issue of Canadian Art.

 

Submission guidelines

If interested please submit the following

4-5 JPEGS

Layout proposal

Printing and framing proposal

Fees Per Artist

Space rental/marketing/reception- $460

 

Spots are booked on a first come first served basis.

Contact: carissa@alternativephotoservices.com

2017 Call for Submissions

The Dylan Ellis Gallery is seeking submissions for several group and solo shows in 2017.

As a rental gallery, we promote photographers in various stages of their careers with the hope that are able to successfully meet their goals. No commission is taken on sales.

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Bob Carnie

Available shows and dates

Group shows

Each exhibition will be a curated eight person show. Each photographer will have five feet of wall space to showcase their framed images. Photographers can book more than one spot.

Spots are booked on a first come first served basis.

Landscape
July 3-August 28 | Opening July 21 from 6-9pm

Abstract
September 1-September 27 2017 | Opening September 7 2017 from 6-9pm

Urban
October 1-October 30 2017 | Opening October 12 2017 from 6-9pm

Emergence
December 1-January 8 2018 | Opening December 15 2017 6-9pm

Solo Show

This space can be used to launch a new body of work or provide a more formal presentation for gallery’s and curators.

November 1-November 29 2017 | Opening November 9 2017 from 6-9pm

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The Printing of Vivian Maier

Poster Cover Maier (1)

Bob Carnie just ticked off one item on his bucket list: printing Vivian Maier.

“It was an amazing experience printing Vivian Maier. Being so close to her work, I quickly realized that she was extremely passionate about photography, much like many of us”

Below are a few process shots taken during the printing.

Stephen Bulger Gallery is exhibiting Vivian’s work until September 10th.

1026 Queen Street West (Ossington/Queen W)

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