SERIES Capture and CONTACT

Capture Photo Festival | The Playground

April 12-17 2018 | Opening reception April 13

CONTACT Photography Festival | Connections Gallery

May 15-June 30 2018 Opening Reception May 17

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Salina Kassam

SERIES brings together five photographers with five different stories to tell. Salina Kassam, Thomas Brasch, Larry Hayden, Skip Dean and Cory Wilyman have explored their own environments through the photographic medium.

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Thomas Brasch

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Kindred | David L Hunsberger

Montreal
The Ecomusée Du Fier Monde
October 20 opening reception from 6-9pm
October 21 Open viewing from 11am-5:30pm
Toronto
Connections Gallery

November 3 opening reception from 6-9pm
Exhibition is on until November 29

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Kindred is a portrait exhibition printed entirely using permanent processes. Each photographer has submitted an image of someone within their community that they admire along with a description of their relationship to their subject. The result is an exhibition of people from all walks of life who are being celebrated through the photographic medium.
Kindred will first be popping up for two days in Montreal where we have one branch of our network within the photographic community. This exhibition is comprised of a large number of Quebec artists, allowing for a true exchange when the show is installed in Toronto this November.

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Call for Submissions: PIGMENT

 

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Lori Ryerson

Pigment is a group photography exhibition that explores the concept of colour through the historical gum bichromate process. Each of the twenty photographers will have two prints in the show, printed by Bob Carnie.

New York April 6 and 7 Bushwick Community Darkroom

Pigment will pop up at the Bushwick Community Darkroom April 6 and 7 2018. These dates were chosen so that participating artists who wish to visit the city during the exhibition can attend The Photography Show presented by AIPAD. 

Toronto | May 2-June 29 Lonsdale Gallery

The prints will return to Toronto where they will become a part of Red Light, an exhibition at Lonsdale Gallery. This juried salon show will exclusively feature alternative prints by artists from around the world. Red Light is a feature show in the CONTACT Photo Festival.

Application process

Each print will be approximately 11×14, fitting into a 16×20 presentation matt. For installation purposes, while in New York, they will be displayed matted. For the Lonsdale Gallery show, they will be framed in our rental frames.

Please contact Bob to set up a time to explain the gum bichromate process and how your images would look printed using this process.

bob@alternativephotoservices.com
Costs

Exhibition fee (shipping, space rental, marketing, reception in NYC and rental frames for Toronto) $375 plus tax                                                                                                     

Production: $460 plus tax for two gum bichromate prints and 16×20 presentation matts

Total $835 plus tax

 

What is Connections?

We believe that expanding a photographer’s reach is beneficial to professional growth. Getting outside of one’s community and having fresh eyes looking at new work and getting feedback. Our main goal is to create a network of photographers and galleries that can work together to showcase photography.

Our first connection was with L’Espace Contemporain in Montreal where we have sent photographers to exhibit work, and have brought photographers here to Toronto.

2017 projects include the Alternative Photo Revolution that went to Glen Echo, Maryland and New Orleans, and was a part of the CONTACT Photo Festival. In the fall we took Kindred, a portrait exhibition, to Montreal then installed here at the Connections Gallery in November.

Why Alt Printing

 We know that through exhaustive research on print permanence that the noble metals of platinum palladium will not fade, in fact the paper will decompose before the metal will go away. Platinum palladium and gum over palladium have the look, texture and feeling of work done in the very beginning of photographic printmaking. Contemporary prints cannot give us the colour palette and physical sense that these two processes offer. In all cases the base paper is Hahnemühle Platinum, a very lovely 100% rag paper. The noble metal of platinum palladium sinks into the very fabric of this paper and any resulting pigment is layered on top for an exquisite image.

2017 Call for Submissions

The Dylan Ellis Gallery is seeking submissions for several group and solo shows in 2017.

As a rental gallery, we promote photographers in various stages of their careers with the hope that are able to successfully meet their goals. No commission is taken on sales.

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Bob Carnie

Available shows and dates

Group shows

Each exhibition will be a curated eight person show. Each photographer will have five feet of wall space to showcase their framed images. Photographers can book more than one spot.

Spots are booked on a first come first served basis.

Landscape
July 3-August 28 | Opening July 21 from 6-9pm

Abstract
September 1-September 27 2017 | Opening September 7 2017 from 6-9pm

Urban
October 1-October 30 2017 | Opening October 12 2017 from 6-9pm

Emergence
December 1-January 8 2018 | Opening December 15 2017 6-9pm

Solo Show

This space can be used to launch a new body of work or provide a more formal presentation for gallery’s and curators.

November 1-November 29 2017 | Opening November 9 2017 from 6-9pm

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Call for Submissions: Alternative Photo Revolution

 

 

Print
What
Alternative Photo Revolution
 
When
March, April, May 2017
 
Where
We are putting a travelling show together that will exhibit in three cities: First Washington DC and New Orleans (March/April  2017) as pop up shows, then back to the Dylan Ellis Gallery in Toronto for the Contact Photo Festival in May 2017.
As you may know our Lambda is back up in operation, which means specific quality film being available for many alternative print options that Bob specializes in. Contact print in Silver Gelatin, Lith Silver Gelatin, Solarization Silver Gelatin, Contact Platinum Palladiums, Contact Duotones of pigment over Palladium, and of course Tri Colour Pigment over Palladium.
Our last two fantastic Contact shows were incredible successes, with Rita Leistner leading the way in 2015 followed this year with Monica Glitz.
Both bodies of work were in tri color pigment over palladium and were excellent examples of what great photography can be.
The idea is to create a large show from photographers from any location willing to work with Bob and create up to two images each of your best work. Whether its colour pigment, silver gelatin or expressive lith prints we will make the decision together and create a one of a kind print that you can be proud of.
Time Line
Now until January production of work. We have already accepted submissions and will be continuing to do so on a rolling basis
March 28th- Glen Echo Park, Maryland
March 31-April 1- Ace Hotel New Orleans
May 15 2017-June 17 2017 – Two weeks during the Contact Photo Festival
Cost
$725 plus GST – per image submitted – two prints maximum per show
What you get
1. Time with Bob – editing work and finalizing files for negative output
2. Negative out-put  up to 16×20 digital negative for alt process
3. 16 x20 contact print – You and Bob decide what process and look that you want to go for
4. 20 x24 Presentation Matt
5. Social media and marketing of your work
6. All shipping and three show opening costs
7. Three venues that show your work to a new marketplace
8. Show listing in Contact Magazine and Slate.
*We will be taking 30% commission on all sales*
If you are interested, please send Carissa a portfolio up to 10 images
carissa@dylanellisgallery.ca

Bob Carnie

Narrative I | January 14 – February 29 2016 | Opening January 28 6pm-9pm

 

Bob Carnie

 

BIO

Bob Carnie is a Toronto-based photographer with an international reputation for printing traditional and digital fine art for acclaimed photographers, galleries and museums. Being most in his element while working in the darkroom, Carnie maintains a hands-on approach that fuels his passion for photography.

Since graduating from the Fanshawe College photography program in 1976, Bob has worked as a photographic printer. Throughout his professional career he has printed for a wide variety of clients, including printing personal portfolios, private collections, gallery exhibitions and museum installations.

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