2017 in Review

2017 saw us renaming the main gallery, changing from the Dylan Ellis Gallery to the Connections Gallery. This name change reflects our mandate to “connect” artists, curators and gallerists.

Thank you to all of the photographers who showed such an amazing variety of images.

 

Human memory / The soul of the earth

January 12 to January 31

Sylvie Pinsonneault, Karl Desmarais


Toronto Offsite Design Festival

January 16-January 22

SUMO Projects and artist Michele Guevara


Visual Calculus in Photography

March 3-31

Alain Laforest, Catherine Aboumrad, Daniel Miller, Guy Glorieux, Guy Lafontaine

Jean Lauzon, Marie-Reine Mattera and Emmanuel Joly, Robert Slatkoff


A Foundation of Ash

April 17-May 13

Will Gill


Alternative Photo Revolution

Glen Echo, Maryland March 28, New Orleans March 31/April 1 Toronto, Contact Photography Festival May 15-June 17

Alexis Jackson, Kin Lon Ma, Scott Davis, David Armentor, Marc Betsworth, Tamiko Winters, Paul Taborovsky, Kevin Kelly, Alan Dunlop, Lisa Murzin, Ron Erwin,  John Migicovsky, Evan Dion, Salina Kassam, Philip Jessup, Marlene Hilton Moore, Juli Lyons, Skip Dean, Thomas Brasch, Matthew Plexman, Laura Paterson, Bob Carnie, Monica Glitz, Jeff Suchak, Hugues Rochette, Jean Lauzon, Madeleine Marcil, Claude Dagenais, Guy Lafontaine, Mirabelle Ricard, Guy Glorieux, Brittany Fleming, Jennifer Crane, Brendan Meadows, Andrej Gregov, Larry Hayden, Bryan Helm, Ginette Clément, Stephen McNeill , David Christensen


Linked

July 8-August 31

Laura Paterson, Wayne Salmon, Al Paterson, Anthony Macri, Kamelia Pezeshki, Aurélien Muller, Carissa Ainslie, Beth Jessup, Paulette Michayluk, Bob Carnie


Urban

October 1-30

Stephanie Kretzschmer, Guy Lafontaine, Robert McIntyre, Joachim Oepkes, David Edwards and Alan Dunlop


Kindred

Montreal October 20 & 21, Toronto November 1-29

Linda Kooluris Dobbs, Salina Kassam

John Migicovsky, Juli Lyons, Lisa Murzin, Thomas Brasch, Bob Carnie, Shelagh Howard, Marlene Hilton Moore, Philip Jessup, David L Hunsberger, ​Anthony DeLorenzo, Normand Blouin, Suzanne Vo-Ho, Jean-Sébastien Vaillancourt, Nathalie Garceau, Daniel Miller, Alexia Righetti, Pierre Dalpé, Guy Glorieux, Céline Lalonde, Martine Michaud, Janick Houle, Francois Spenard​


Emergence

December 1-January 8

Lindsi Hollend, Anna Borcherdt, Adrian Oosterman, Cat Stambolic, Andrew Persaud, Marlene Hilton Moore, Raquel Moliterno

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Contact Photo Festival: A Foundation of Ash Q&A Pt 1

Will poster for website.jpg

April 17-May 13

Opening Reception April 27 6pm-pm

PART 2

For his first exhibition as part of Scotiabank Contact Photography Festival, St John’s based artist Will Gill travelled to wildfire locations in Canada to capture the aftermath of the events. Through staged photography, using props and the charred remains of the environment as backdrop, Gill explores aspects of darkness and hope, transcendence and the human condition.

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Matthew Plexman: Clearcut Q&A Pt 2

November 2-30

Opening Reception November 10 6pm-9pm

Uncomfortably beautiful, large format panoramas of clear-cuts in Northern Ontario. Plexman presents these massively altered and rearranged landscapes not for what was taken away, but for what the loggers left behind, and how Nature reclaims and repairs the damage.

matthew-blog-image-3

How did you start out photographing? 

When I was 11 years old, my sister gave me a plastic “Diana” camera for my birthday while our family was on a weekend camping trip to Pinery Provincial Park.  This was the start of my love for landscape photography- I had to go to the park gift shop twice to buy extra film.

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Matthew Plexman: Clearcut Q&A Pt 1

November 2-30

Opening November 10 6pm-9pm

Uncomfortably beautiful, large format panoramas of clear-cuts in Northern Ontario. Plexman presents these massively altered and rearranged landscapes not for what was taken away, but for what the loggers left behind, and how Nature reclaims and repairs the damage.

matthew-blog-image-1

What equipment do you use?

I use medium format Phase One XF camera bodies, with a 60 megapixel digital back and Schneider-Kreuznach lenses- some of the sharpest ever made. For my panoramics I have the camera mounted vertically on a Really Right Stuff pano head, and use either the Schneider 35mm or 55mm lens.  Generally, I capture at least 12 images, one every 15 degrees as I rotate the camera, resulting in a 180 degree view.

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